God of Blockbuster Action or King of the Tease?
Directed by: Gareth Edwards
Released: 2014
Staring: Aaron Taylor-Johnson, Bryan Cranston, Elizabeth Olson, Ken Watanabe, David Strathairn, Sally Hawkins, & Juliette Binoche
Rated: PG-13
No doubt exists in my mind that the marketing team behind the newest reboot of cinema's most iconic, foreign fiend deserve an award. The art of the tease can make or break a film; with all the anticipation that can develop, if a film doesn't deliver you're going to have several unsatisfied customers. Godzilla has been teasing us since it's first trailer release and continued to throughout the actual film.
Of all the big blockbuster movies to be released in the Summer of 2014, Godzilla was the one I was most excited to see. Not because I had an preexisting attachment to the Monster, or a particular fondness for any of the talented actors in the cast; it was because of the trailer. That FIRST trailer was (still is) brilliant. The bone chilling suspense created in the ambiguity until the very end didn't only leave me wanting more, it had me talking. How could you NOT want to see that movie after a trailer like THAT? Emotional Bryan Cranston, Phillip Glass-esque music, and that roar...that trailer had everything to make the skin crawl...Goosebumps from start to finish. I just want you all to take the time and appreciate a finely constructed trailer, and the response it can generate. My response, I need to see that movie as soon as possible. All subsequent trailers followed a similar design, showing audiences just enough of The King of The Monsters but never revealing what we were truly up against. Smart marketing; it gets people excited, it gets butts in the seats. So the all-important question of the teasing and hype, did it pay off?
This Monster is a little camera-shy Godzilla (2014) |
Despite top billing, Godzilla isn't the film's focus. Overall, Godzilla was a highly entertaining, action-packed disaster movie. I say disaster movie because the movie isn't so much about the monsters causing the destruction, but the people caught in the middle and how they deal with it. If you are expecting lengthy, Pacific-Rim style fights, you're going to be slightly disappointed. The monster-on-monster action is there, BUT I was left wanting MORE. Like the movie's trailer, the audience is constantly teased, but never reward with any solid, lasting battles. I was (and still am) thrilled with the alluring mystery the trailer created, but I'm here now, in the theater, I WANT TO SEE GODZILLA KICK SOME ASS. Any monster action that takes place occurs either on screens (TVs/surveillance cameras/computers) or in short, interrupted snippets. Those snippets we did get to see were amazing, awesome...cool animation and theater rattling sound that will have audiences cowering in their seats. Stop me if I'm wrong, but I know I'm not, in a Godzilla film I'd expect to see the King of Monsters for longer than 20 minutes and earlier than 45 minutes into the picture.
Finally, a good look at the big guy Godzilla (2014) |
Bryan Cranston hunts for the truth Godzilla (2014) |
Speaking of Bryan Cranston he, just like the movie's title monster, makes an appearance that is brilliant but limited. Cranston's influence in pop culture and with potential audience members is huge! What did I tell my Mom to convince her to come to Godzilla? "It has WALTER WHITE" All it takes in Cranston's name on a poster and an heart-wrentching excerpt in the trailer to draw in those Breaking Bad/Cranston addicts. Again, smart market but lacking a fulfilling payoff. Cranston is there; he's brilliant, he's engaging. His undisputed talent shines through in this role, but is snuffed out far too soon. Parallel to the movie's monster, I wanted to more of Cranston's quality performance. His character the potential to lead Godzilla or least get him into the second act. Cranston not only understands how to portray human emotion but also how to connect with audiences'.
Cranston & Aaron Taylor-Johnson Godzilla (2014) |
the movie's focal point; sadly, writers chose to focus on the weakest of the bunch. Aaron Taylor-Johnson is an adequate leading man and his lesser known status works in his favor. Taylor-Johnson has had his fair-share of leading and supporting roles, but he has yet to become a house-hold name. Had the role gone to a more well known, young hunk {Channing Tatum for example} the character could have gone even more banal than written. Casting an unknown or lesser known gives action movie, dare I say, a more prestigious feel. Taylor-Johnson feels (like this reboot is meant to be) fresh and new. The same can be said for his on screen wife, Elizabeth Olsen. Godzilla's script doesn't offer it's actors much to work with, but the cast gets the job done without reducing their performances to cheese. As I wrote before, hardly ever to I enter a summer blockbuster expecting a groundbreaking plot and oscar worthy script. These films are meant to provide exciting entertainment, which in the end, Godzilla does!
Equally fresh director Gareth Edwards truly understands quality action, building suspense, and delivering adrenaline pumping sequences...even if the majority of them don't feature the movie's main monster. He's more understated than the likes of Michael Bay (heaven knows that's not very hard) and I can't wait to see what this relatively young director has to offer the action-movie genre.
Nit-picking and cliches aside, Godzilla offers American audiences a solid piece of entertainment reminiscent of the 1954 classic. It's leagues beyond the Ronald Emmerich 1998 flop; bigger, badder, and smarter. The movie's base plot is nothing special nor are the characters, but when audiences are treated with God-sized smack downs, they are oh-so sweet! This Godzilla is a MUST SEE on the big screen. The high quality graphics and bone-rattling sound can only be fully appreciated at the theater. 2014's Godzilla will have you simultaneously cheering and cringing in your seats; you'll leave the cinema wanting more, and by the way the box-office is turning over, we'll have a sequel confirmation before the year is out.